Find my Spotify playlist consisting of all my favourite tracks:

Bluefold, ‘Learn to Love’ (2025)

28/11/25

This song is the perfect blend of upbeat and laid-back. With it being Bluefold’s first single, they are definitely a duo worth keeping an eye on going into 2026!

Tarren, ‘Outside Time’ (2024)

1/11/25

This superb folk trio came over to the Isle of Man last week to perform, and I was immediately drawn into their music and their sound. ‘Outside Time’ is particularly atmospheric, with its intricate overlapping layers, rich harmonies and impactful changes in time signature. Check out my full article on Tarren!

Daft Punk feat. Pharrell Williams, ‘Lose Yourself to Dance’ (2013)

9/10/25

This is an addictive song. It begins with a funky beat, catchy guitar riff, then Pharrell Williams’ falsetto vocals, and eventually Daft Punk’s voices through a vocoder. It is simple, but with all the layers built up, constantly changing and being added to, it doesn’t get boring, and I can’t help getting absorbed in the beat. This is what Daft Punk do best!

The Last Dinner Party, ‘The Scythe’ (2025)

17/09/25

A beautiful yet sorrowful song, it is inspired by how the end of a relationship feels like the other is dying. Lead singer Abigail Morris’ outstanding vocals capture this perfectly, conveying a mix of anger and power to acceptance and sadness. The haunting organ and backing vocals, which are so distinctive to the band, help create an ethereal atmosphere. I would say, however, that the guitar solo before the last chorus doesn’t add too much to the song, as it doesn’t quite match the melancholic tone. Overall, though, it is a poignant, thoughtful and emotionally-charged track – the choruses and vocals really standing out to me.

The Killers, ‘The Man’ (2017)

08/09/25

From its funky beat and bass line, use of synths, to its ironic description of what being ‘the man’ means, this song is simply cool. With Brandon Flowers’ distinctive vocals, the chorus is an ear-worm, and my favourite part comes in after the second chorus with a wave of overlapping vocals singing “who’s the man”. Listen to this song if you need a boost of confidence walking down the street!

Radiohead, ‘Reckoner’ (2007)

31/08/25

To pay homage to OK Computer, local Radiohead cover band who I interviewed and watched play last week (see my most recent article!), I’ve chosen ‘Reckoner’, my favourite song from the album In Rainbows. With its distinctive drum beat, guitar motif and Thom Yorke’s falsetto vocals, I instantly loved this song. The most impactful part for me is when the drums come back in after the quieter middle section – the anticipation of the build-up gets me every time.

Sam Fender, ‘Alright’ (2021)

20/08/25

I chose this track partially because I watched Fender in Manchester last weekend! He was incredible, as expected, but also played this song which I wasn’t previously familiar with. I was immediately drawn to the guitar melody doubled by the glockenspiel and the instantly catchy chorus. Its impact was intensified by the crowd of thousands I was part of and the electrifying atmosphere of Fender playing live.

Spacey Jane, ‘Booster Seat’ (2020)

08/08/25

The catchy guitars and drums somewhat mask the melancholy mood of this song, which uses ‘booster seat’ to symbolise feeling vulnerable like a child again. With frontman Caleb’s husky, raw vocals and the band’s indie sound, this is a great song to drive along in the sun to.

Florence + The Machine, ‘Cosmic Love’ (2009)

25/07/25

A slightly older one this time, ‘Cosmic Love’ is unmistakably Florence, featuring ethereal harp, strong drum beats and her effortlessly powerful vocals. Increasing in intensity throughout the song, it is perfect if you want a dramatic soundtrack to whatever you’re doing!

Olivia Dean, ‘Nice To Each Other’ (2025)

14/07/25

Olivia Dean’s smooth, rich vocals mixed with sweet harmonies are the perfect combination to create this dreamy song and a serene atmosphere.

Mark Ronson & RAYE, ‘Suzanne’ (2025)

07/07/25

This laid-back song combines RAYE’s gorgeous, effortless vocals with Mark Ronson’s achingly cool and funky music and flawless production.

sombr, ‘undressed’ (2025)

16/06/25

Simultaneously upbeat and melancholic, this song has a catchy and upbeat tune juxtaposed with moving lyrics about how painful it is to move on from a relationship. I particularly love the harmonies, bassline and guitar riff, and key change in the bridge.

Ravyn Lenae, ‘Love Me Not’ (2024)

05/05/25

Catchy, upbeat and playful with an old fashioned-sounding muffled effect, this is the perfect song to groove to on a warm sunny day.